ISO 100 | 50mm | f 5.6 | 1/250 sec

I was sitting here earlier last week contemplating the near impossibility of capturing a fully adequate portrait – one that depicts every aspect of an individual for who they are, their unique personalities, characteristics, interests, gifts, hobbies, etc.  The difficulty lies primarily in the fact that a single snapshot is incapable of documenting the entire gamut of an individual’s persona.  A fraction of a second in the entire stream of time that makes up one’s existence is hardly capable of describing a person for who they truly are.

Determined to overcome this difficulty, I set out yesterday to create a self-portrait that fully exemplified who I am as an individual, the good, the bad, and the ugly.  😉  It would not (nor could it) be composed of a single snapshot, but rather a whole slew of mini snapshots capturing the various characteristics of my personage.  By themselves these images would be pointless, but when placed together, they would form a (hopefully) meaningful representation of who I am as a person.

As I worked tirelessly at piecing together the individual pieces, I came to the realization that what I was looking at was a real confusing jumble.  A mishmash of totally unrelated characteristics, interests, and personas – artist, musician, business man, and slob, everything fit together in perfect harmony to create a conglomeration of mixed-up imagery that depicted who I really am – a mess.  But not just any mess, a beautiful mess created by a God who is faithful to finish the work that He has begun.  Right now, who I am may not look like much, but God sees the whole picture from the beginning, and if I’m faithful to trust and believe and live out what He has for me right now, I know that all the pieces will fall into place in His good time.

In reality, we’re all real pieces of work.  We’ve got our well polished, beautified, and well-groomed sides that we display for all the world to see, but inside each of us are still areas of struggle, areas of uncertainty, areas of undeveloped beauty waiting to be discovered.  It truly is a wondrous life that each of us lives, and to see how God works in those who are willing to be crafted by His hand is a glorious thing to behold.  Sure, we will always have ugly spots to remove, and there will always be room for improvement, but if we trust God and push ahead with the things He has given us, the picture will start to become clearer and the jumbled mess of who we are will begin to form an image of true beauty – the picture of a life lived for Christ.

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Sorry about the late post, I finished the picture yesterday but was having difficulty coming up with words for my post (maybe it had to do with trying to write at 11:45pm, my brain may not have been functioning properly).  Either way, here it is, better late than never.
I was inspired this week by a similar picture I saw on Pinterest (yeah, I get some interesting ideas from Pinterest), but rather than using one picture like in the image I saw, I wanted to use multiple images to create my final composite.  I don’t think I fully realized how complicated this would actually be until I started the editing work, but this project got way out of hand and turned out to be more of a mess than I was anticipating.
So basically this is a merging of five different self-portraits all taken in the same location (same lighting, similar positioning, etc.).  I did my best to make the merging of the images as easy as possible, so I set my camera on a tripod, set it to manual mode, set my lights up (beauty dish for key light, octabox for fill, and a strobe with honeycomb grid for rim-light), placed some tape on the floor to represent my foot positions, and fired away multiple shots of a pose that was relatively easy to replicate.  After taking the shots, I quick ran and changed into my next outfit and did it all over again (I can’t remember the last time I changed clothes five times in a day, it was well nigh exhausting).
Once I had all the images, I imported and selected the best ones that were most similar in positioning.  I then stacked them all in a Photoshop file and proceeded to create individual boxes to represent the different polaroid shots that make up the image.  By using clipping masks for different images, I’m able to display the different shots only in the defined confinements of the polaroid boxes.  It turns out to be much more complicated and much messier than I can attempt to explain here, but the gist of it is that each of my five images only display in the boxes that I define for them, thus I can get pieces of each image showing through based on which image I have clipped to which boxes.
If you’re interested in learning about the distinction between clipping masks and normal layer masks, here’s a brief tutorial that talks about the differences:
Well, that’s it for today.  More to come next time…

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